Fright Night


Action  Comedy  Horror  

Rotten Tomatoes Critics - fresh 72%
Rotten Tomatoes Audience - spilled 59%
IMDb Rating 6.4


Uploaded By: OTTO
November 27, 2011 at 4:27 pm


David Tennant as Peter Vincent
Reid Ewing as Ben
Colin Farrell as Jerry
701.83 MB
23.976 fps
1hr 46 min
P/S 11 / 47

Movie Reviews

Reviewed by n/a 9 / 10

Damn good vampire fun.....

Can a horror remake actually be a good for a change? I mean, how many classic horror flicks does Hollywood have to crap on until they finally give up? "Texas Chainsaw Massacre", "Amityville Horror", "Nightmare on Elm St.", "Friday the 13th", "House of Wax".......all of these films are examples of why i sometimes HATE Hollywood.Finally......a horror remake that's WORTH seeing. I must admit, i had some pretty low expectations walking into this, and it did way more than prove me wrong. Initially i thought they were going to make this a straight 'B' movie by incorporating tons of humor with their gore, which would have been fine with me, seeing that i love the genre'. But this movie was more fun than funny. Don't get me wrong, there are some sequences that are funny, but it had more of that 'drive-in' appeal to it's horror. And i loved every bit of it.It's story is pretty basic, and somewhat cliché'. I mean come on, a vampire living next door. But the weird thing is, it didn't come off as cliché'. And i think the biggest contribution to that was the pace of the film. Once you get past the first 10 to 15 minutes of the film, which are kind of dull, the movie quickly begins to morph into a fast paced gore fest. And now looking back on it......if it were not rated R, then this movie would have been stupid, and it would've fit in with every other crummy horror remake.But the aspect that i appreciated the most was the writing. For once, they didn't alter any rules to make their film different. They stuck with what already works, and left it up to the actors to make these vampire rules entertaining. And Collin Farrell did just that.Bottom Line.....Of all the horror movies that come out this year, this will probably be the one you will have the most fun at. It's funny, it's somewhat scary, but most of all, it's pretty damn entertaining. It's one of those movies i would've loved to of seen at the drive-in. If your tired of all this 'Twilight' crap, which they happen to mention in the movie itself, then this is really a breathe of fresh air to all the TRUE vampire fans.

Reviewed by n/a 9 / 10

Return Of The Vampires

The original Fright Night was already a cult classic which makes this remake unnecessary. But since all vampires these days are less scary and like what Evil Ed said "Love Sick", it can be necessary for some reason. Bringing back the true vampire camp. Although it's not as scary as the original but Colin Farrel's performance improves the vampire villain. This Fright Night is endlessly watchable and fun. This may sound strange but I think this version is better than the original.The original have the disturbing schlocky masks but this version actually has the vampire danger and thrills. The credit goes to Colin Farrel. He gives a lot of vigor and terror to the evil vampire. David Tennant has his own Peter Vincent. His charisma and delight shines through all of his scenes. Just like Roddy McDowall, David Tennant nearly steals the show. But Farrel really owns this show.It's a welcome back, actually. It's not a cash in remake. It's the returning of the vampire horror to our cinemas. Our vampire movies these days are just tired and relies to nothing but the senseless violence. And some of them are in love with a bland girl and sparkle in sunlight. But the biggest thing that is missing in most modern vampire movies is how scary these monsters are. They are not only bloodsuckers. They can be terrifying for somehow.The filmmaking is obviously good but some of the CGI tones the scares down a little bit but it works though. The score sounds nothing like the score of the original but it's true to its vampire genre. The movie is shot in 3D but most of the film is dark and 3D usually dims the aspect of a film but if you are in for some blood and sparks coming out of the screen then try it. Not quite recommending though.Overall, Fright Night is enjoyable. Maybe the biggest mistake they made is the jump scares since Fright Night isn't really fond to that trend. Well, this is definitely better than all the unnecessary horror remakes we usually get every year. Colin Farrel made a lot of things better. Vampires are evil again. It has plenty of joys and thrills. Fright Night is recommendable by bringing back the true elements of the genre.

Reviewed by n/a 9 / 10

Welcome to Fright Night 2011

It has occurred to me that when people refer to a new "reimagining" of a beloved film, they use the term "unnecessary remake." I've been guilty of that myself. I really tend to think, however, that technically any remake is unnecessary. No one "needs" to be told what is basically the same story (in most cases) twice. I've also heard the argument that bad films are the ones that should be remade, not good ones. I can understand that to an extent, but do people really want to sit through a new version of something they hated the first time? No remake is going to make everyone happy; it's just not possible. Unless of course, you haven't SEEN the original.So, just how should a remake be judged? As a stand-alone film, or how it compares to a previous one we love so much? And I do love writer-director Tom Holland's 1985 vampire flick FRIGHT NIGHT. It is just the right mix of comedy, terror, suspense, terrific performances, and an affection for old-fashioned scares. Many others have fond memories of it as well, so I relate to the "why"s and the "oh don't screw it up"s, and the "leave it alone"s. After all, beloved films are dumped on all the time by would-be filmmakers out to make a quick buck for the safe Hollywood studios.Most of the central story is intact: Anton Yelchin leads the cast as Charley Brewster, a used-to-be high-school misfit who comes to the realization, thanks to childhood buddy Ed (Christopher Mintz-Plasse) that his new neighbor Jerry (Colin Farrell) is a vampire. It isn't long before he's convinced his single mother (Toni Collette) and his girlfriend (Imogen Poots) of this which point all sorts of bloody hell breaks loose.Screenwriter Marti Noxon has infused a basic story (whose plot points and situations weren't always very believable) with some new smarts, including adding more depth to the central characters. And the setting has changed to a cookie-cutter suburb of Las Vegas, where people sleep during the day, work at night, and are much more transient. Another interesting change is the character of Peter Vincent. In the original, Roddy McDowall played a hammy horror host and actor: Peter Vincent, the Great Vampire Killer. Here, David Tennant assumes the role, but Vincent has become an elaborate Vegas magician who performs vampire-killing antics on the stage. In both versions, they are recruited by our hero to help slay the bloodsucker. It's an ultra- modern twist, but within the location context, works beautifully.During the first hour or so of 2011's new incarnation, I was shocked to think that I may end up liking this remake even more than the original. But after some hair-raising moments in the first half, culminating in a dark, desert car chase, the film threatens to go off the rails in a sequence that's a bit hokey, over the top, and unfortunately timed. And there are a few iffy CGI instances as well. Luckily, things get back on track with a climax that's executed with a uniquely creepy wit, and a few good shocks and surprises. Director Craig Gillespie (LARS AND THE REAL GIRL, "United States of Tara") earns respect for pulling off (for him) an unfamiliar genre; he also pays homage to a few memorable scenes in the original without trying to copy or disrespect them.Most of the performances are engaging and authentic (aside from Mintz-Plasse in his later moments), with Tennant's wry turn a real treat, and the ever-wonderful Collette's naturally grounding presence adding a needed weight of normalcy. It is Farrell, however, who is the real deal; he absolutely nails this role (no, he won't make you forget the original's suave Chris Sarandon, but in fairness, Jerry is written much differently in this update). Farrell combines sexiness and utter menace to the fullest: this vamp means business! Some of the best work of his admittedly spotty career is on display, including the film's most brilliant moment, where Jerry's fidgety impatience with being invited into the Brewster home is both hilarious and nerve-wracking.FRIGHT NIGHT is a solid film in its own right; if there's not enough love from the original's fans to spread out to its remake, that's unfortunate.

Reviewed by n/a 9 / 10

A Memorably Exceptional Horror Remake (the First of its Kind)

Somewhat mildly entertaining, but compared to other recent horror films like Incidious, this movie is about as scary as an episode of Wizards Of Waverly Place.Most remakes suck, that's just reality, and this fails to disprove it.The original, which was by no means a Lost Boys, was, for the time, a seamless blend of horror, comedy, superb (but now outdated) special effects, and a new wave soundtrack to fit the time and place the film was made. It was as creepy and campy as the 60's and 70's Hammer Horror films which it pays homage as well as making fun of.But, beyond that, the original had a solid story line, with multiple characters with multiple motives. Gone is the creepy "Evil" Ed who, despite being a horror fan, refuses to believe Charlie that his next door neighbor is a vampire. In his place is another one-note performance by a character who serves more as wallpaper and who is a sad joke when he turns vampireGone is the charming and subtle Jerry Dangridge and instead we have a single-note boring one dimensional Collin Ferral who spends the entire film walking with heavy footsteps and hissing like a cat. Gone is Danridge's zombie day-time protector who added an even greater dimension of story layers replaced by, well, nothing.Gone is the charming Peter Vincent a cowardly tired old B-movie star who faces his fears to become a hero, replaced by yet another one-dimensional ex-Dr. Who.And perhaps most important of the omissions of this boring life-less remake is that of the big creepy decrepit American-Gothic old mansion in the heart of suburbia (like a tiny virus, and a metaphor for the vampire, which goes on to be so many other metaphors I can't list them all here).The original is dated, no freaking duh! Because it captured the essence of the time (date) and place it was created. The remake fails to even be dated because the sets and atmosphere are so lifeless this film could have been made anywhere between 1990 and now.The original is a "cult film" and so, by definition, it only has a small cult of fanatics, so, if you don't get why the original is so beloved then you're in majority of people who just don't get it.20 years from now this sad remake will be sitting in the Walmart $5.00 bin, cast aside by all those but Collin Farrel fans.P.S. the computer animated blood splashes are horrible, they look like mid 90's effects. Also, where's the remake of Brad Fiedel's "Come To Me" which was in the original as well as it's sequel? They must have been crazy not to put an update of that in the film. It's up there with Bela Lugosi's Dead and Cry Little Sister. Oh, and one finally little update: Imagine Poots IS actually very hot and a wonderful actress as was Amanda Bearse at the time.

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